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Aug 08th 2022
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Home Lifestyle Travel Khajuraho - In the heart of India

Khajuraho - In the heart of India

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Devi Jagadambi TempleIf ever there is a tiny black mole, a near-perfect beauty spot on the pout of time that heightens its allure, then surely that is the ancient temple town of Khajuraho.


The great bard of India, Rabindranath Tagore, had likened the Taj Mahal to a teardrop quivering on the cheek of Time. If I were to extend that simile, I would say that if ever there is a tiny black mole, a near-perfect beauty spot on the pout of time that heightens its allure, then surely that is the ancient temple town of Khajuraho!

On a recent visit to this temple town, I found that nothing prepares you for the reality of Khajuraho. Everything that you may have read or heard about these ancient temple carvings pales in comparison to what your eyes behold. For, if ever there is a place that breathes sensuality, where every stone speaks, where every particle of ancient dust throbs with passion, then surely that place is here. That such a place should exist deep in the Hindu heartland of madhya bharatvarsh (middle India) is not a little surprising. But, then, that precisely is the mystique of India!

Spread over 21 sq km, the town of Khajuraho has little to recommend it except the temples that have been designated a World Heritage Site by UNESCO. My stay at the Radisson turned out to be a good choice.

First, the temples themselves. In all there are said to be 25 left of the original 85. Built from 9th to 12th century by a series of Chandela rulers, they are dedicated to Shiva and Vishnu and to a pantheon of Jain deities. Visiting all 25 of them is neither advisable, nor necessary. Most visitors feel sated by having their fill of the two clusters: the Eastern and the Western group. I make my way to the eastern group first, as it is closer to my hotel. Situated beside a swift-flowing river, my first port of call is the Parasvanath temple. It is, I am cautioned by a local, no more than a trailer; ‘Picture abhi baaqi hai mere dost!’ I am told in true filmi style!

Like all the other sculptured temples I will see over the course of the day, it is constructed of hard river sandstone, built atop a platform and accessed by a flight of steep steps. Celestial maidens (the alluring sura sundaris) drape its walls as do a thicket of motifs that will reappear before my eyes: horses, elephants, lotuses, flowering vines, apsaras and mortals in a variety of poses. Sensual yes, even life-like and finely-etched, but there is no sign yet of the famous sexuality and concupiscence of these sculptures that one has heard so much about. From here I make my way to the three Jain temples nearby. Dedicated to Adinath, the Jain Tirthankara, it has more yakshinis guarding its walls and a more lavish profusion of embellished outer walls. I peep into the Ghantai Temple and gaze at a depiction of the16 dreams of Mahavira's mother. Images of nubile goddesses on winged garudas, a damsel bending to pluck a thorn from her feet, another tying an anklet around her slender feet stay with me as I hurry out; my appetite whetted, I want to see the real McCoy at the Western group.

A short distance away, with two glimmering tanks on either side and the usual chaos of touts, trashy trinket-sellers and roadside eateries, stands the magnet that has drawn me so far. A mere ten rupee-ticket lets me loose into an enchanted wilderness; another Rs 60 and I am the proud owner of a set of earphones and an audio-guided tour. From amidst landscaped gardens, a small sea of temples of varying sizes and shapes rises before me, their undulating spires ascending in tiers reminding me instantly of the high peaks of the Himalayas, the true abode of the gods.

The large Lakshmana, Kandariya Mahadev and Vishwanath stand beside the smaller Devi Jagdambi shrine and the Devi Mandap. After the first few, their names and historical details blur into meaningless tour guide patter as the sheer physicality of the frescoes stuns the visitors into silence. A Babel of tongues is all around me – Italian, French, Russian, Spanish, Chinese and many more that I cannot recognize. Groups of tourists cluster before the carvings, listening intently to their guides or frowning in concentration to hear the crackling audio tapes. Each time, I see a point of oblivion dawn on fellow visitors when the sounds fade out; in their place is an intense concentration on what lies before one’s disbelieving eyes.

In temple after temple, I take off my shoes, ascend the stairs, and begin a clockwise circumambulation of the outer walls. The sculptures are densely packed on the outer walls; the more erotic ones are at the lower levels and as the eye travels up the spire, the physical forms gradually lessen and disappear altogether. Each time, I sense a hush descend on knots of chattering crowds; the lewd comments and the loud banter suddenly dies out as the sheer physicality of the tableau stuns the viewer. Caparisoned elephants, horseback riders, court scenes, musicians, dancers, children, courtiers, mythical creatures that are half-human half-beast are interspersed with human beings performing the most mind-boggling sexual acrobatics. Why this profusion of libidinous activity on temple walls? What lies behind this sexual preoccupation? Could women have been so wasp-waisted and men so well endowed? Could human hands have wrought these wondrous spectacles or, were they, as myth and legend tell us, crafted by divinely-inspired master craftsmen?

I get answers to some of these questions when I come back to the temple precinct for a light and sound show. Organised by M.P. Tourism, this turns out to be a singularly memorable experience. My nose numb with cold, I sit on a plastic chair on dew-encrusted grass under a star-spangled sky, and find myself mesmerized. With the sound of a chisel striking a stone, the narrator draws you into the story of Khajuraho: how it got its name from the tall khajur (date palms) that ringed the tank, and how the naayika is central to a temple for just as a house is barren without a wife so too a temple without female beauty shall not bear fruit. The secular and the sacred merge just as science and religion, architecture and sculpture come together in the making of these temples. Concentration on the essence of the deity is vital, for concentration alone is the tool of the sculptor. By a rigorous process of elimination, the sculptor removes all non-essentials and gives us a sculpture that is spare and shorn of inessentials. Balance and precision, harmony and proportion are vital as enormous blocks of stone are fitted like pieces of a giant jigsaw puzzle. The sound of temple bells evoke images of a sanctum sanctorum lit by oil lamps and heavy with the scent of incense and fresh flowers as ancient verses reverberate in the still night. I listen entranced as the cold seeps though my winter clothes but the beauty of the narrator’s words and the spectacle that unfolds leaves me with a warm glow.

The next day I make the most of the half day I have before catching my late afternoon flight back to Delhi. The airy, light and cheerful interiors of the Radisson are designed to pamper and delight.

Winter is a good time to visit central India: the weather is balmy with just a nip in the air, the days pleasant and the nights chilly enough to make candle-light dinners and coal braziers seem like a good idea. The fields are green with a variety of winter seasonals – wheat, pulses, vegetables, cereals, all grow in great abundance in these parts. The bright yellow of mustard in full bloom creates a pretty patchwork-quilt pattern with the green of ripening wheat. The dips and hollows between the densely-forested hills and grasslands are filled with monsoon rains; crystal clear water laps in the plentitude of tanks and lakes. The many big and small rivers and rivulets gurgle and tumble over ancient rocks, causing small waterfalls along their path. Plump river fish are waiting to be caught, and trees laden with guavas and berries border the lush fields.

The energetic would do well to stir beyond the sanitized compound of their hotels and take in something of this spectacular countryside. Most hotels, including the Radisson, are only too glad to organize short trips: to view the waterfall at Raneh or look for elusive crocodiles at the Ghariyal Sanctuary (20 km). Another pleasant way to spend a winter afternoon is to go on elephant back to the riverside and watch the sun go down.

Those wishing to go further afield can plan an itinerary that includes trips to other neighbouring destinations. Orchcha, lying off the Jhansi-Khajuraho road, has plenty to offer the history buffs. Ornate chhatris (cenotaphs or memorials to dead Bundela ancestors) are interspersed with palaces, temples and forts; resorts and palaces offer stunning views of the Betwa river and the very air is redolent with tales of love and valour. Kalinjar, situated 130 km away by road, offers a glimpse into the martial past of the Chandela rulers who ruled from their well-guarded citadel in the heart of India.

(Note. The images used have been sourced from Wikipedia.)


---Rakshanda Jalil blogs at Hindustani Awaaz: Literature, Culture and Society


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